- The Stranger (L’Étranger, often translated as The Outsider) (1942)
- The Plague (La Peste) (1947)
- The Fall (La Chute) (1956)
- A Happy Death (La Mort heureuse) (written 1936–38, published posthumously 1971)
- The First Man (Le premier homme) (incomplete, published posthumously 1995)
- Exile and the Kingdom (L’exil et le royaume) (collection, 1957)
- The Adulterous Woman (La Femme adultère)
- The Renegade or a Confused Spirit (Le Renégat ou un esprit confus)
- The Silent Men (Les Muets)
- The Guest (L’Hôte)
- Jonas or the Artist at Work (Jonas ou l’artiste au travail)
- The Growing Stone (La Pierre qui pousse)
- Christian Metaphysics and Neoplatonism (1935)
- The Rebel (L’Homme révolté) (1951)
Synopsis
Early Life
Political Engagement
Camus became political during his student years, joining first the Communist Party and then the Algerian People’s Party. As a champion of individual rights, he opposed French colonization and argued for the empowerment of Algerians in politics and labor. Camus would later be associated with the French anarchist movement.
At the beginning of World War II, Camus joined the French Resistance in order to help liberate Paris from the Nazi occupation; he met Jean-Paul Sartre during his period of military service. Like Sartre, Camus wrote and published political commentary on the conflict throughout its duration. In 1945, he was one of the few Allied journalists to condemn the American use of the atomic bomb in Hiroshima. He was also an outspoken critic of communist theory, eventually leading to a rift with Sartre.
Literary Career
The dominant philosophical contribution of Camus’s work is absurdism. While he is often associated with existentialism, he rejected the label, expressing surprise that he would be viewed as a philosophical ally of Sartre. Elements of absurdism and existentialism are present in Camus’s most celebrated writing. The Myth of Sisyphus (1942) elucidates his theory of the absurd most directly. The protagonists of The Stranger (1942) and The Plague (1947) must also confront the absurdity of social and cultural orthodoxies, with dire results.
As an Algerian, Camus brought a fresh, outsider perspective to French literature of the period—related to but distinct from the metropolitan literature of Paris. In addition to novels, he wrote and adapted plays, and was active in the theater during the 1940s and ’50s. His later literary works include The Fall (1956) and Exile and the Kingdom (1957).
Camus married and divorced twice as a young man, stating his disapproval of the institution of marriage throughout.
REFERENCE:http://www.biography.com/people/albert-camus-9236690