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Description:
For musical purposes this is the only earthenware pot which is traditionally used in both folk and classical Kashmiri music. With the passage of time Noet came in metals like brass or copper. However the Noet made of baked clay still hold its place when it is used with sufiana mousiqi. This is a very common instrument, which is used tocreate a very rhythmic music in the region of Kashmir. It is played with hands and is made up of copper, usually used in Chakri & Rouf. Kashmiri women folk play Nout while singing during the marriage ceremonies.
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Origin:
It is believed by research that Noet has its origin from central Asia. However with the passage of time it got its uniqueness in Kashmir. It is being played in South India and Rajasthan and is known by the name of “Ghatam” and “Matki” respectively. Mohan Lal Aima did a deep and thorough study of Noet playing and thus revived the art and its importance. Its usage can be traced back to the time of Kalhana. In Raj Tarangini he frequently refers to this instrument. “They played on their balded heads exactly as the earthen pot instruments were played”
This is so beautiful